BOSS Audio: Mics and Interfaces

NT1A, TLM 103, LCT 440, U87 … which microphone is best?! The right question is, which mic will make YOU sound great? Anne welcomes Tim Tippets back to the BOSS Audio series, and they talk mics and interfaces. Discover tips for finding the mic best suited to your voice. Your microphone and interface are essential investments in your voiceover business. Listen to this week’s episode to make sure you have the tools in your booth to help you rock your audio #LIKEABOSS!



Takeaways

Quick Concepts from Today’s Episode:

  1. The microphone can pick up on mouth sounds we don’t hear with our ears

  2. The pandemic has made it essential to have quality studio equipment 

  3. If you buy an inexpensive microphone, you can’t expect to sound like the top pros

  4. Sibilance is a whistle inside of an “S” sound

  5. Pursing your tongue and pushing it toward the back of your teeth will create sibilance, relaxing the tongue will create less of these sounds

  6. Find a peer that sounds like you, and ask them what microphone they have

  7. XLR Microphones typically allow for better sound than USB mics

  8. USB mic technology is getting better, however, an XLR microphone plugs into an interface that allows for more quality controls that cannot fit into the microphone itself

  9. The diaphragm of the microphone is the “ear” of the microphone, and USB mics cannot fit as much technology into this diaphragm due to the limited size

  10. Large condenser microphones will pick up on more noises

  11. Invest in quality XLR cords to allow for the best quality sound

  12. Top-level interfaces run plug-ins live while you record instead of having to do these effects in post-processing

  13. Be cautious of package deals, as they don’t typically include top-quality components

  14. A quality interface and microphone will help your voice sound the most like “you” in real life

  15. Everything in your audio recording chain should be top-quality to produce top-quality sound


Referenced in this Episode

Direct links to things we brought up ++

  1. Look at all of the gear that Anne recommends!

  2. Find out the one microphone Tim thinks is the best for the most voices at an affordable price point!

  3. Check out all of the equipment that Tim recommends

  4. These cables are studio gold!

  5. Recorded on ipDTL


Transcript

>> It’s time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry’s top talent today. Rock your business like a boss, a VO BOSS! Now let’s welcome your host, Anne Ganguzza.

Anne: Hey everyone, welcome to the VO BOSS podcast. I’m your host, Anne Ganguzza, along with the amazing VO Tech Guru and audio engineer extraordinaire, Mr. Tim Tippets. Hello Tim!

Tim: Good morning, good morning, Anne.

Anne: [laughs] How are you?

Tim: I’m doing ok.

Anne: So Tim, I have the question which you probably get all the time.

Tim: Ok.

Anne: And the question is, I have a lot of students who are, you know, that I work with on a day to day basis, that they’re just starting out — or even if they’re not starting out, they want to know what microphone should they get that would make them sound good. And so, you know the answer to that is probably as varied as [laughs]. I have my own opinions, but I figured we should have a discussion about microphones with you today.

Tim: Ok, sounds good. First of all, how are you doing this morning?

Anne: I’m doing awesome, thank you! [laughs]

Tim: You’re welcome. I forgot to return the favors. That was rude of me. Ok so yeah, microphones. I think you hit right on it when you said “I have my own opinions.” We see it on boards a lot in Facebook and elsewhere.

Anne: Yes.

Tim: What microphone should you get? “Well, I own the TLM 103. You should get that.” Or “I own the 416,” or you know, “I have this or that, so you should get that because they’re great.” Well, no because for each voice, there’s the right mic. I’ll give you an example. So someone heads into Guitar Center, and they say hey, you know, they go to Pro Audio, this happens a lot by the way.

Anne: It’s always Guitar Center too. I’m just sayin’.

Tim: Yeah, it is.

Anne: [laughs]

Tim: Well, it makes sense, it makes sense for someone who’s not in the know.

Anne: Yep.

Tim: So they head in there and they talk to Pro Audio staff. These people are usually musicians and producers. So the question is asked, “hey look, I need a mic, and I need an interface because I’m going to be doing voiceover.” And they say, “hey, well, come over here and look at this Rode mic. It’s the quietest mic in the world. It’s called the Rode NT1A.” If I get on that mic, it’s gonna be ok, but only for one reason, because, and it has nothing to do with talent. What it has to do with is, I’m not a sibilant speaker, ok?

Anne: Ohh. You know, I had a Rode, I had a Rode NT1A when I started.

Tim: And I bet you weren’t sibilant on it because you’re not a sibilant speaker.